There is no image available



design-is-fine:

John De Cesare, Transcription of Ave Maria, a sacred melody adapted to the first prelude of J. S. Bach by Charles Gounod, 1956. Drawing. USA. Cooper Hewitt

design-is-fine:

John De Cesare, Transcription of Ave Maria, a sacred melody adapted to the first prelude of J. S. Bach by Charles Gounod, 1956. Drawing. USA. Cooper Hewitt

wearenapoleon:

works by jack hogan.
euo:




Excerpt from my journal:
"I jumped in the ocean to make myself feel alive. All I got was cold hands and seaweed in my hair."

euo:

Excerpt from my journal:

"I jumped in the ocean to make myself feel alive. All I got was cold hands and seaweed in my hair."

(Source: georggia)

biraunal:

MATTHIEU GAFSOU.
Chaux-de-Fonds (2009-2011).This work was made in the context of L’expérience de la ville, a photographic survey linked to the city of La-Chaux-de-Fonds, Switzerland.

biraunal:

MATTHIEU GAFSOU.

Chaux-de-Fonds (2009-2011).
This work was made in the context of L’expérience de la ville, a photographic survey linked to the city of La-Chaux-de-Fonds, Switzerland.

(Source: emondrian)

(Source: chicquelo)

(Source: userdeck)

(Source: 1000scientists)

weissesrauschen:

DASH SNOW
HE END OF LIVING, THE BEGINNING OF SURVIVAL
visual-poetry:

»at times there are no words« by darren almond (+)

visual-poetry:

»at times there are no words« by darren almond (+)

weissesrauschen:

KATJA STRUNZ
UNFOLDING PROCESS
exasperated-viewer-on-air:

Florian Meisenberg - from the series "Somewhere sideways, down, at an angle, but very close {about:blank}", 2014
oil paint on canvas
244 x 213 cm

exasperated-viewer-on-air:

Florian Meisenberg - from the series "Somewhere sideways, down, at an angle, but very close {about:blank}", 2014

oil paint on canvas

244 x 213 cm

(Source: weissesrauschen)

ephemeralol:

Santiago Calatrava

ephemeralol:

Santiago Calatrava